Panasonic Lumix DC-S1RII + Sigma 24-70mm f2.8 DG DN II (A) L-Mount

Panasonic Lumix DC-S1RII Body

The LUMIX S1RII features a new 44.3MP BSI CMOS sensor and a high-performance processor with L2 technology to deliver stunning photos and videos with LUMIX's prized natural color reproduction. The High-Res handheld mode even enables photos up to 177MP

, and with its revolutionary video performance, it is the first LUMIX camera to realize 8K video, expanding the possibilities. The popular Open Gate function has been improved to record in 6.4K and even up to 8.1K with a future firmware update. It also supports internal recording of 5.8K Apple ProRes RAW HQ / ProRes RAW to enable high-quality video with minimal setup.

Phase Hybrid AF with real-time detection, now with AI tracking, quickly and accurately recognizes human eyes and faces and smoothly follows a subject's movements. With high-speed continuous shooting of up to 40 fps and AF tracking, dynamic subjects can be captured precisely.

The widely acclaimed image stabilization achieves an internal compensation of 8.0 f-stops and a correction of 7.0 f-stops in the telephoto range with Dual I.S. The video image stabilization offers a new Cropless E.I.S. correction, which reduces

distortion

at

long distances

.

The highest image quality from LUMIX to date brings details to life

New 44.3MP sensor

• Natural, high-resolution rendering
• Natural color reproduction
• High dynamic range (14 stops V-Log/V-Gamut)*
• Highly sensitive images with low noise
  *Dynamic range expansion (log) ON : 14 stops. Dynamic range extension (logarithmic) OFF: 13 f-stops

Latest processor with L2 technology

• Maximizes the performance of high-resolution sensors through high-speed processing
• Achieves both high resolution and

low noise

• .

Achieves

• both

high

• resolution and low noise
• Standard ISO 80-51200 / Extended ISO 40-102400

First-class autofocus with the latest AI technology - Phase Hybrid AF

High-resolution cameras require extremely precise focus.
The LUMIX S1RII features an advanced phase-
hybrid autofocus, which is characterized by high speed, precision
and high tracking performance.

• Phase-detection AF system with 779 metering points
• Enhanced real-time detection with advanced AI technology
• Improved performance in tracking AF mode

Recognizes, identifies and focuses on a wide range of subjects

• Human - eye/face/body, eye/face
• Animal - body, eye/body
• Car - total subject, main part
• Motorcycle/bicycle - total subject, helmet
• Train - first car, main part
• Airplane - total, nose

Image stabilization for photos and videos

Night shots, Zoom shots, walking shots - all blur-free.

Sharp photos

• 8.0 stops 5-axis B.I.S.* - Provides powerful compensation even at slow shutter speeds.
• 7.0 stops 5-axis Dual I.S. - Provides powerful compensation even at telephoto range where B.I.S. drops off

*8.0-stop; Periphery: 7.0-stop. Based on the CIPA 2024 standard [Yaw/Pitch/Roll direction: focusing distance f=60mm when S-R2060 is used. 5-axis.]
**7.0-stop; Periphery: 7.0-stop. Based on the CIPA 2024 standard [Yaw/Pitch/Roll direction: focusing distance f=105mm when S-R24105 is used. 5-axis]

Stable videos - Active I.S. technology

• B.I.S.& Dual I.S.
• Boost I.S.
• Active I.S.
• E.I.S.

Suitable for various applications, such as

large

shake

inst

• .

Suitable for various applications such as large camera shake, unstable walking shots, the use of a wide-angle lens and the use of an anamorphic lens.

Videography

8K - 16 times the pixel count of FHD - For the first time LUMIX 8K Video

• 8.1K 17:9 8128 x 4288
• 8K 16:9 7680 x 4320

Proxy Video Recording

Simultaneous recording of a low bitrate proxy file,
linked to the original video for faster
delivery. From production to post-production

. front/rear tally light

Tally lights indicate recording and standby conditions
to the subject and camera operator. Brightness and on/off settings can be customized.

Frame Marker

A frame designed for cropping in post-production. Choose from all aspect ratios: 2.39:1, 2.35:1, 2.00:1, 1.85:1, 16:9, 4:3, 5:4, 1:1, 4:5, 9:16 and Custom.

"New" False Color

Brightness levels can be exchanged with colors for display.

"New" Photo/Video switch

Improved usability for hybrid users.

"New" Shutter Speed Limiter

Sets a minimum limit for the shutter speed to keep it above the video frame rate.

Monitor & Viewfinder

"New" Flip & Swivel Monitor

• Useful for photography - the monitor can be tilted up and down along the optical axis.
• Useful for videography - The monitor can be freely rotated when tilted without interfering with HDMI or USB cables.

High-resolution 5.76 million pixel OLED viewfinder

• The viewfinder offers a resolution of 5.76 million pixels.
• The OLED display offers excellent response speed and reliably captures fast-moving subjects.

"New" shutter with sensor protection

The shutter behaviour when switching off can be selected. The "Close" option protects the sensor from dust and thus ensures safety when changing lenses outdoors. By optimizing the structure of the shutter, the system achieves exceptional rigidity and precision as well as a release number of 400,000*

*Panasonic Messtandard

Robust

• Frost-resistant
• Dust/splash-proof
• Compact, durable housing (magnesium)

Double card slot

• SLOT 1 - CFexpress type B
• Smooth recording of high-speed continuous shooting
• Internal recording of high bit rate videos of more than 800 Mbps and ProRes RAW HQ
• SLOT 2 - SD UHS-II / UHS-I
• High versatility

USB SSD recording

Ideal for high bit rate recording

• Faster write speed - Direct recording of high bit rate videos is possible.
• More efficient - Connect the SSD to the computer via
  USB, enabling efficient management and editing.
• Better thermal management - Better heat resistance than internal recording.
• Budget-friendly - Cheaper than memory cards.

Sigma 24-70 f2.8 DG DN II L-Mount

Exclusively for mirrorless cameras｜Compatible with full-frame cameras

The 24-70mm F2.8 Art has been further developed on all levels:

The SIGMA 24-70mm F2.8 DG DN II Art has been significantly enhanced compared to its predecessor. The most advanced technologies available to SIGMA in design and production have been used.
Compared to the predecessor model SIGMA 24-70mm F2.8 DG DN Art, the SIGMA 24-70mm F2.8 DG DN II Art has an improved resolving power over the entire Zoom range. It also benefits from functional improvements, such as the newly added aperture ring and the high-speed autofocus with newly developed HLA drive (High-Response Linear Actuator).
The lens is also approx. 7% smaller and 10% lighter than its predecessor. The new 24-70mm F2.8 II Art is therefore a versatile and powerful tool with which photographers and filmmakers can unleash their creative potential.

Top performance that lives up to the reputation of a top model

The new SIGMA 24-70mm F2.8 DG DN II Art is the successor to the SIGMA 24-70mm F2.8 DG DN Art, which is known for its high optical performance, and has a further improved resolution over the entire Zoom range. It delivers the highest image quality even at open aperture and the high speed of F2.8 ensures a soft and harmonious bokeh. The lens therefore offers maximum performance in almost all shooting situations. The short closest focusing distance further expands the creative possibilities. Flares and ghosting are excellently corrected and focus breathing is largely minimized. This means that the outstanding creative possibilities of this lens can be used to the full in both photo and video applications.

High optical performance across the entire image and Zoom range

The optical design of the lens comprises 6 FLD and 2 SLD glass elements. In addition, 5 aspherical lens elements are used. Aberrations are thus reliably suppressed over the entire Zoom range. Sagittal coma flares in particular are well controlled in order to achieve a consistently high resolution right up to the periphery of the image. By effectively correcting lateral chromatic aberration, high-resolution images free of color fringing can be achieved.

Equipped with 5 aspherical lenses

The use of 5 high-precision aspherical lenses enables both high optical performance with minimal aberration correction and a compact optical design. SIGMA's production facility in Aizu, Japan, has the high-precision aspherical molding technology that allows it to produce the thin, highly polarized aspherical lenses required for this purpose. This has led to a higher degree of freedom in optical design.

Excellent close-up capability

The lens offers an outstanding close-up focusing distance of just 17cm at wide-angle and a maximum magnification of 1:2.7. These factors create potential for creative close-ups.

Note: When taking close-ups in the wide-angle range, the lens hood should be removed to avoid touching the subject.

Low susceptibility to flares and ghosting

Flares and ghosting, which impair image quality, have been optimized for all lighting conditions using the latest simulation technology. In addition, a Nano-Porous and Super Multi-Layer coating has been applied to the front lens to prevent flares and ghosting as far as possible. This enables brilliant, high-contrast images to be taken even in unfavourable lighting conditions.

Minimized focus breathing

The optical design effectively suppresses focus breathing. The changes in the image angle when focusing are reduced to a minimum, resulting in natural-looking video recordings

. Better portability and extended features

The SIGMA 24-70mm F2.8 DG DN II Art is approx. 7 % smaller and 10 % lighter than its predecessor model. The user-friendliness has been improved with an additional aperture ring and two AFL buttons. Despite its greater compactness and improved features, the lens offers SIGMA's renowned high build quality. With an uncompromisingly precise and robust construction, as you would expect from a professional photographic tool.

Better handling

While the number of lens elements used has remained the same compared to the previous model, the overall length has been shortened thanks to the modern optical design. In addition, the more efficient mechanical design has resulted in a portable lens with a maximum diameter of 87.8mm, a length of 120.2mm and a weight of 745g*

*L-mount version.

Outstanding build quality

The robust internal structure and the use of high-precision metal parts ensure high stability and durability in professional use. At the same time, the size and weight of the lens have been reduced. The design has been consistently geared towards the durability and reliability of the lens.

Aperture ring with "de-click function"

Many demanding users appreciate the ability to set the aperture directly on the aperture ring of the lens. The SIGMA 24-70mm F2.8 DG DN II Art therefore once again offers an aperture ring. Thanks to its "de-click function", this feature is also interesting for filmmakers, as the aperture can be adjusted smoothly and silently in this position. Those who prefer to set the aperture on the camera body can use the aperture ring's lock function and are protected against accidental adjustment.

Equipped with two AFL buttons

Unlike its predecessor, the lens now offers two AFL buttons, the accessibility of which has been optimized for shooting in portrait and landscape format. These buttons can be assigned individual functions with compatible cameras.

Professional functions, including high-speed autofocus

To offer maximum performance in every shooting situation, the SIGMA 24-70mm F2.8 DG DN II Art has a high-speed AF with HLA drive. Other features, such as dust and splash protection, the water and oil-repellent coating of the front lens and the Zoom lock switch complete the professional features of the lens.

With HLA

linear actuator The lens is equipped with an HLA (High-Response Linear Actuator) linear motor for the AF drive. Thanks to the powerful HLA, the maximum drive speed is more than three times faster than the previous model*, ensuring responsive AF shooting.
*compared to the maximum drive speed of the SIGMA 24-70mm F2.8 DG DN Art, the actual AF focusing time may vary

Protected from external influences

In addition to the dust and splash-proof housing*, the front element of the lens has a water and oil-repellent coating.

The lens is protected against dust and splash water, but is not waterproof.

Equipped with a Zoom lock switch

The lens is equipped with a Zoom lock switch, which locks the lens in the wide-angle range and prevents the barrel from extending unintentionally due to its own weight. The lock can be released not only via the switch, but also by turning the Zoom ring, which allows flexible handling even for spontaneous shots.

Includes lens hood and case

The specially adapted lens hood LH778-05 is included with the SIGMA 24-70mm F2.8 DG DN II Art and is securely locked with a quick twist. The lens is supplied in a matching case for storage and safe transportation.