Sony Alpha 7S III + Samyang AF 24-70mm f2.8 FE

Sony Alpha 7S III body

Almost five years after the Alpha 7S II, Sony launches its successor: the Alpha 7S III has an improved 12-megapixel sensor, shoots 4K at 120p, and is said to achieve exceptional results in low-light photography thanks to large pixels

.

The sensor of the Alpha 7S III has a resolution of 12 megapixels, as with the Alpha 7S II, but is now rear-exposed.

At the heart of the new Alpha is a 12-megapixel full-frame sensor that has been improved over the Alpha 7S II. Sony now relies on a back-side exposure (BSI) design that allows more light to be captured and produces better results in low-light shooting. The maximum sensitivity is still ISO 409,600 (expandable down to ISO 40). The sensor is supported by the new BIONZ-XR processor, which is said to have eight times the processing power of the previous image processor.

Sony is also breaking new ground in terms of operation: for the first time in the Alpha 7 series, a fully movable monitor (3.0 inches, 1.44 million dots) has been installed, which now also allows touch operation of the menus. The structure of the menus has also been completely revised; among other things, only the relevant entries are available in photo and video mode for better clarity. The OLED viewfinder achieves a record resolution of 9.44 million dots and a magnification of 0.9x. The size of the image can also be reduced so that eyeglass wearers can also see the entire image.

4K with 120p

One focus of the camera is video recording. Unlike Canon on the EOS R5, Sony doesn't rely on 8K for video, but continues to rely on 4K, which is, however, said to produce the best results yet on an Alpha camera. The sensor's 12MP resolution allows full-pixel readout without pixel binning or cropping up to 4K/60p.

The recording limit at this setting is said to be one hour without overheating - the EOS R5 can only manage 30 minutes at a time at 4K/60p. Video recording is limited to this length on the Alpha 7S III in 4K/120p mode - by the way, this is also where a slight crop kicks in (1.1x).

The monitor can be swiveled, and the grip and controls have become larger - as in other cameras of the third Alpha generation

. The

Alpha 7S III even records at up to 240p in Full HD. For time-lapse recordings, lower frame rates of up to 1p can also be selected in S&Q mode. Recording is done internally with a color subsampling of 4:2:2 and a color depth of 10 bit. New codecs are available for this: XAVC-S-I records single frames (All-I) at a data rate of up to 500 Mbits/s, XAVC-HS reduces the amount of data during image group compression to 200 Mbits/s thanks to H.265 compression. Via HDMI 2.1, the camera can even output 4K/60p as 16-bit raw files (ProRes Raw) to an Atomos recorder.

Of course, a logarithmic gamma profile is also available (S-Log 2/3), which is supposed to enable a dynamic range of more than 15 f-stops; the sensitivity here starts at ISO 640 (extended: ISO 160). According to Sony, the rolling shutter effect has been significantly minimized.

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Alpha 7S III is equipped with a 5-axis image stabilizer in the housing, which achieves an effectiveness of 5.5 f-stops when measured according to CIPA standards; in video mode, additional digital stabilization (Active Mode) is used, which also uses a gyro sensor. The information from this gyro sensor can also be stored in the metadata of the videos to use it for digital stabilization in post-processing.

Fast autofocus and 10fps

The hybrid autofocus covers 92% of the image sensor and uses 759 points with phase detection and 425 with contrast AF. In addition to human ones, the AF algorithms now also recognize animal eyes - even at greater distances than before, according to Sony.

The AF sensitivity goes down to -6 EV. The camera shoots series at up to 10 fps. The mechanical shutter is designed for 1/8000 s. Sony uses two memory card drives for the first time in the Alpha 7S III, which can use SD cards (UHS-II) as well as the new CFexpress Type A cards. These are smaller than Type B cards and faster than SD cards. SD cards of the video classes V60 and V90 are sufficient for most video modes; only the S&Q mode with 4:2:2 color subsampling and 10-bit color depth requires CFexpress. Continuous mode also benefits from the faster cards; 1000 uncompressed raws in a row should be possible here.

A Z-battery is used for the power supply, which can be charged via USB-C and supplies power for 600 photos or 95 minutes of video. Continuous power via USB is also possible.

Samyang AF 24-70mm f2.8 FE for Sony E

First-class imaging performance in all image areas

The Samyang AF 24-70mm F2.8 FE Sony E is a versatile standard Zoom E-mount lens for Sony cameras. This focal length is among the most popular lenses for Sony full-frame mirrorless cameras. Thanks to the lens design with 17 elements in 14 groups as well as special lenses (2x ASP, 1x HB, 3x HR and 3x ED), it delivers high-quality images with excellent detail across the entire focal length range. Of course, this lens can also be used on mirrorless Sony cameras with APS-C sensor.

Fast open aperture F2.8 for impressive background blur and bokeh

The high and constant speed of F2.8 allows a shallow depth of field and achieves a smooth background blur. Thus, cropping and setting off the subject from the background succeeds reliably. The 9 aperture blades create a soft and natural bokeh as well as impressive light stars.

A true all-rounder

An all-round lens for almost any occasion. Whether landscapes or architecture, macro shots, portraits or food photography. The Samyang AF 24-70mm F2.8 FE Sony E masters all challenges.

Fast and quiet autofocus - with special features for video recording

The autofocus works quickly, precisely and quietly thanks to the built-in linear STM (stepper motor). It thus meets the highest requirements for accuracy, both in photo and video shooting.

With the "Par-Focal"

function, the focus remains on the focused subject when zooming in and out. The focal length can be changed during video recording without having to refocus.

The "Cinematic Video AF"

controls the AF speed while filming, so that fluctuations are reduced and a smooth and harmonious recording is achieved. The

torque of the focus ring, the "linear MF Control"

is modeled on that of a manual video lens, enabling the familiar handling of manual focusing during video recording.

Cine Kit:

The Samyang Cine Kit, consisting of a focus ring, a follow focus and a tripod mount, enables quick system changes while providing essential elements for first-class video recording (sold separately).

Weather-sealed and aluminum body

By using the Samyang Weather Shield, the all-in-one nature of this lens is emphasized. Combined with the rugged aluminum body, it is the ideal companion for adventures of all kinds, even under tougher operating conditions with dust, rain or snow.

Custom switch for more individuality

The well-known Custom Switch also comes into play with the Samyang AF 24-70mm F2.8 FE Sony E lens. Among other things, it allows the focus ring to be used as an aperture ring. The assignment can be changed and firmware updates can be installed via the Lens Station.

Short closest focusing distance

With the low closest focusing distance of only 0.35 m, impressive close-ups, portraits from special perspectives as well as shots in small rooms or food photography

are possible.