Details
Blackmagic Pocket Cinema Camera 6K Pro
The Blackmagic Pocket Cinema Camera 6K Pro comes with a Super 35 sensor, includes additional professional features such as internal neutral density filters for 2, 4 and 6 f-stops and a 1500 nits bright, customizable and tiltable HDR LCD that is perfect for use in bright sunlight. This model is also equipped with two mini XLR audio jacks and a larger NP-F570-like battery. It has a dynamic range of 13 stops and dual-native ISO technology up to a sensor sensitivity of ISO 25,600 for HDR images
, aswell as outstanding low-light performance. External controls provide quick access to key functions, while the 5-inch touchscreen makes framing, accurate focusing and changing camera settings a breeze. Features include in-camera SD/UHS-II or CFast 2.0 recorders for recording in Blackmagic RAW or ProRes and a USB-C expansion port for recording to external storage media. The camera also features an EF lens mount, built-in microphones, an XLR connector, a full-size HDMI port, 3D LUT support, Bluetooth and more
.Recording resolutions
6144 x 3456 (6K) up to 50 fps,
6144 x 2560 (6K 2.4:1) up to 60
fps,5744 x 3024 (5.7K 17:9) up to 60 f
ps,4096 x 2160 (4K DCI) up to 60 fps,
3840 x 2160 (Ultra HD) up to 60 fps,
3728 x 3104 (3.7K 6:5 anamorphic) up to 60
fps, 2868x 1512 (2.8K 17:9) up to 120 fps,
1920 x 1080 (HD) up to 120 fps
Connections
Video outputs: 1 HDMI connection for up to 1080p/60
Analog audio inputs: 2 analog XLR mini jacks, switchable between operation of phantom-powered microphones and line level up to +14 dBu. 1 x 3.5mm stereo socket. Can also be used as a timecode input
Analog audio outputs: 1x 3.5 mm headphone socket
Computer interface: USB type C for recording to external hard drives, PTP camera control and software updates
Frame rates
The maximum sensor frame rate depends on the resolution and codec selected. The project frame rates 23.98; 24; 25; 29.97; 30; 50; 59.94 and 60 fps are supported. Off-speed frame rates are supported up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD
Aperture control
Aperture wheel and touchscreen slider for manual aperture adjustments of electronically controllable lenses. Aperture button for instant automatic aperture adjustments of compatible lenses
Screen dimensions
5 inch with 1920 x 1080 resolution
Screen type
LCD with capacitive touchscreen
Metadata support
Automatic lens data transfer of electronic EF lenses. Automatic storage of camera settings and film panel data such as project, scene number, take and special notes. 3D LUT can be embedded in the metadata of Blackmagic RAW files
Control elements
Touchscreen menus on the 5-inch screen. 1 on/off button, 1 record button, 1 still image button, 1 scroll wheel with push function integrated in the handle, 1 ISO button, 1 white balance button, 1 shutter button, 3 function buttons configurable viafunction buttons configurable via software, 1 HFR button for high frame rates, 1 Zoom button, 1 menu button, 1 playback button, 1 focus button and 1 IRIS button
Recording formats
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0 and Q5 at 6144 x 3456, 6144 x 2560, 5744 x 3024, 3728 x 3104 and 2868 x 1512 with film, extended video or video dynamic range, or custom 3D LUT ProRes 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range embedded in the metadata, or custom 3D LUT
Irix Cine 15mm T2.6 Canon EF metric
The Irix Cine 15mm T2.6 is an ultra-wide-angle lens for 8K cameras. The combination of high light transmission (T2.6) and the ability to use filters makes this lens ideal for a wide range of lighting conditions.
- Ultra HD 8K capable
- magnetic mounting system (MMS)
- compact and lightweight construction .
All Irix cine lenses are designed to uniform standards. Similar weight, same position of focus and iris gears and 86mm filter thread on the front of most lenses
.The signature Magnetic Mount System allows easy mounting of Irix Edge MMS filters on 15mm, 30mm, 45mm and 150mm lenses (optional)
.The weight of approximately 1 kg is a perfect counterweight to most mirrorless cameras and makes balancing a breeze when using a gimbal
. Theconstant position of the gears also ensures efficient work with follow focus
.The robust and durable construction of the Irix-Cine-Line guarantees that you can continue working in any weather. The lenses are resistant to rain, sand, dust or snow. So you can take them with you for your next adventure in the desert or jungle if your camera can cope with these environments
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